Martinus Papilaja (1988) is known for his thoughtful approach to graffiti, which balances visibility with the need for anonymity. “A graffiti writer must have a recognizable tag, yet it must not be traceable to the person who placed it,” he explains. This balance is essential, as writing in public spaces without permission is prohibited. Now, with his work publicly exhibited and attributed to him, Papilaja sees this as significant recognition for his years of dedication.
From the Streets to Large-Scale Urban Spaces
Papilaja has been involved in graffiti since 2004, starting in his local neighborhood. Over time, his work expanded to larger urban settings, both nationally and internationally. For him, adapting to new spaces is a key challenge: “How do you remain visible and differentiate yourself in a new environment?” His ability to navigate these evolving landscapes has been central to his development.
Artistic Evolution at ArtEZ
In 2018, Papilaja graduated from the Fine Arts (BEAR) program at ArtEZ in Arnhem, where he refined his focus on the link between human handwriting and graffiti. His research centered on a fundamental question: “What drives the need to write in public spaces?” This inquiry defines much of his work, as he explores the urge for personal expression in public domains.
Graffiti as Craft: Practice and Repetition
For Papilaja, graffiti is a craft that demands constant practice and repetition. “It’s about hearing, observing, and writing continuously,” he says. His journey, rooted in street culture, has evolved into a broader artistic exploration, positioning him uniquely in contemporary visual arts.
Exhibiting at the Dutch Graffiti Library
A selection of Papilaja’s works is currently on display at the Dutch Graffiti Library. Highlights include Setiap Orang Berbeda – Semua Orang Bersama, a sculpture that emphasizes community strength, and Tanpa Menulis Kamu Lupa, a series of drawings that reflect on the importance of writing. Papilaja likens these drawings to a graffiti writer’s “blackbook,” a personal collection of knowledge, growth, and ideas. He compares this to his grandmother’s cookbook, where she recorded her experiments so she wouldn’t forget anything. As Papilaja notes, “As long as you keep writing, you’ll never forget.”
Through this exhibition, Papilaja’s once-anonymous work is now publicly recognized, inspiring a new generation to explore the craft of graffiti writing.